
I took a break and looked over a couple of films on good ole' Netflix 'cause I miss being able to do other things while the movie is running without my system crashing, the close captioning, and the not-good-but-definitely-a-large-step-above movies offered. I'll be reviewing those a bit later, plus I decided to try Fandor since I heard it has a great assortment of cult horror as well as classic horror - we'll see. I DID watch Alice Sweet Alice (which has several other titles of course), Brooke Shield's first movie (and very brief role), as well as a musical called Jesus Christ Vampire Killer. No, that's not a typo. He's hip, he rides a Vespa, he knows kung fu, and I laughed myself sick.

It starts with Martha (Adrienne Barbeau) as the mother of children in their 20's (Umm, okay), a boy and girl. The daughter begins the drama when, believing she is under the spell of a Necromancer (they kept dancing between the phrase 'witch' and 'necromancer') shoots herself. That brings her stoner brother home to take care of his fragile mother. And they start the 'conspiracy' part of the movie, making you wonder (I didn't - the movie just doesn't really cause you to care) who's part of the conspiracy and who's not. Easy to find out according to the movie. If anybody who is involved says a word, they blow their heads off. Simple. Was this a thing?

The occult tradition was carried on in the Third Reich mainly by Hitler’s personal army, the SS. An occult research department was established in 1935 with SS Colonel Wolfram von Sievers at its head. With these powers in hand, Germany’s dominance would be indisputable. However, time ran out for the Nazi Party, and defeat at the hands of the allies was to have ended the research.
Or did it? That's what this movie is pushing - kind of a sleeper spy movie saying that the Nazis, before they totally disbanded managed to implant many of their comrades in the US to continue the experiments and eventually, I dunno, take over? They're really not clear on what the ultimate goal was.
So the mother and son try to find answers - but when Martha keeps finding herself waking up in the basement in a hidden room, strapped to a chair with a record running some mumbo jumbo I tossed my notes aside and just said with my arms crossed, waiting for the inevitable ending. I mean, she wakes up each time in this chair strapped down but can GET HERSELF FREE. Does that say something?

Especially since it ends with Martha totally wiping her mommy persona, her son getting the 'invisibility' down and dying because of it (we assume) and her daughter comes from the past (time travel) to confront her brainwashed mom. She shoots Martha and we have the pleasure of the whole film running backwards and watching the beginning of the movie again. Oh please no. But then they cut away to Martha, quite dead and I am quite relieved 'cause this nightmare is over.
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